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THE PRINCE

Niccolò Machiavelli/Tim Parks

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xxxix irritatingly grand very old prettified the book,’ he tells us, ‘or padded it out with long sentences or pompous, pretentious words, or any of the irrelevant flourishes and attractions so many writers use; I didn’t want it to please for anything but the range and seriousness of its subject matter.’ I have taken that statement of intention as my guide in this translation, attempting wherever possible to free the text from the archaisms and corrosive quaintness of older English versions, to get to the essential meaning of the original and deliver it, as we say today, but perhaps not tomorrow, straight. It isn’t easy. The first problem, and one that sets up all the others, is already there in the title: The Prince. What is a prince for Machiavelli? Well, a duke is a prince. The pope is a prince. A Roman emperor is a prince. The King of France is a prince. The Lord of Imola is a prince. This won’t work in modern English. The English have Prince Charles. And the thing about Prince Charles is that he is not King Charles and probably never will be. And even if he were king he would wield no real power, not even the kind of power the pope wields, and we never think of the pope as a king or prince. The only other idea we have of ‘the prince’, in English, is Prince Charming. This concept is a long way from the ageing Prince Charles and even further from the kind of prince Machiavelli was talking about. Machiavelli’s word ‘prince’ does not mean ‘the son of the king’, and even less ‘an attractive young suitor’. Machiavelli’s ‘principe’ refers attempting to impress old- fashioned xl
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