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Introduction
communist leader Antonio Gramsci would even see The
Prince as looking forward to the dictatorship of the
proletariat.
Others took a more traditional view: Bertrand Russell
described The Prince as ‘a handbook for gangsters’, and in
so doing did no more than repeat the position of Frederick
the Great, who wrote a book to refute Machiavelli and
present a more idealistic vision of monarchical govern-
ment. Others again ( Jakob Burckhardt and Friedrich
Meinecke) found a space between denigration and admir-
ation to suggest that the novelty of Machiavelli was to
present leadership and nation-building as creative processes
that should be judged not morally but aesthetically; in a
manner that looked forward to Nietzsche the charismatic
leader made a work of art of himself and his government.
Mussolini simply took the book at face value: it was a useful
‘vade mecum for statesmen’, he enthused.
But whatever our interpretation of his intentions, one
reaction that Machiavelli never seems to provoke is indif-
ference. Reading The Prince it is impossible not to engage
with the disturbing notion that politics cannot be governed
by the ethical codes that most of us seek to observe in our
ordinary lives. And however we react to this idea, once we
have closed the book it will be very hard to go on thinking
of our own leaders in quite the same way as we did before.