‘The death of conversation’, Talleyrand opined. Certainly,
when a leader has to rely on appearing respectable to claim
legitimacy, he is on thin ice indeed.
To this long-drawn-out conspiracy of pomp and pious
circumstance, Machiavelli’s little book was a constant
threat. It reminded people that power is always up for
grabs, always a question of what can be taken by force or
treachery, and always, despite all protests to the contrary,
the prime concern of any ruler. In their attempt to dis-
credit The Prince, both religious and state authorities played
up the author’s admiration for the ruthless Borgia, and
never mentioned his perception that in the long run a ruler
must avoid being hated by his people and must always put
their interests before those of the aristocracy; the people
are so many, Machiavelli reflected, that power ultimately
lies with them.
Liberal and left-wing thinkers were not slow to pick up
on this aspect of the book. As Rousseau saw it, the whole
of The Prince was itself a Machiavellian ruse: the author
had only pretended to give lessons to kings whereas in fact
his real aim was to teach people to be free by showing them
that royal power was no more than subterfuge. Both Spi-
noza and, later, the Italian poet Ugo Foscolo saw it the
same way: The Prince was a cautionary tale about how
power really worked, the underlying intention being to
deprive those who held it of dignity and glamour and teach
the people as a whole how to resist it; Machiavelli after all
declared himself a republican and a libertarian. The