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THE PRINCE

Niccolò Machiavelli/Tim Parks

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Cesare Borgia, son of Pope Alexander VI. With his father’s support, Borgia was carving out a new state for himself on the northern borders of the Papal States and had just captured the city of Urbino to the east of Florence. Sent on a mission to dissuade Borgia from advancing into Flor- entine territory, Machiavelli was deeply impressed by the man. Seductive, determined, cunning and ruthless, Borgia was a leader in the epic mode. Certainly he could hardly have been more different from the diplomat’s dithering boss, Soderini. Machiavelli was on another mission to Borgia in January 1503 when the adventurer invited a group of rebels to nego- tiations in the coastal town of Senigallia, then had them seized and murdered as soon as they were inside the town walls. Here was a man, Machiavelli realized, determined to take circumstance by the scruff of the neck. It was not so much Borgia’s willingness to ignore Christian principles that fascinated him, as his ability to assess a situation rap- idly, make his calculations, then act decisively in whatever way would bring the desired result. This modern, positivist attitude, where thought and analysis serve in so far as they produce decisive action, rather than abstract concepts, lies at the heart of The Prince. Meanwhile Florence continued to drift. Machiavelli was once again on the scene in 1503, this time in Rome, when Borgia’s empire collapsed after both he and his father fell seriously ill; legend has it that Alexander had accidentally poisoned them both. The pope died and the son lost his
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