BIOGRAPHICAL NOTE
ON THE CUNNINGHAM FAMILY
Allan Cunningham, the father of the author of
this volume, was born in the parish of Keir, Dumfriesshire, in 1784.
Although apprenticed to his elder
brother, then a stonemason, he soon showed a literary
bent. At the age of eighteen he made the acquaintance
of Hogg, the Ettrick shepherd, and the acquaintance
ripened into a warm friendship. Early in the nineteenth
century he commenced his career as an author, and his
poems began to appear in various periodicals. When
R. H. Cromek, the engraver, was travelling in Scotland
in 1809, collecting Scottish songs, he met Cunningham.,
who showed him some of his work.
Upon Cromek's
advice Cunningham then went up to London to try
his fortune at literature. For some years he worked
both as a mason and as a literary man, producing a
number of poems in the Day and the Literary Gazette.
In 1814, Chantrey, the sculptor, to whom he had been
introduced by Cromek, engaged him as his superintendent of works, and this connexion lasted down to
Chantrey's death, in 1841. During this period he produced a quantity of literary work of a varied nature.
He had become acquainted with Sir Walter Scott, when
the latter was sitting for Chantrey, and in 1820 submitted to him a drama, Sir Marmaduke Maxioell. It was
considered unsuitable to the stage, but Scott was
favourably impressed with the style. In 1825 appeared
The Songs of Scotland, Ancient and Modern, which
contained the well-known sea song, 'A Wet Sheet and
His connexion with Chantrey gave
a Flowing Sea.'
him an intimate knowledge of the artistic world, which
he turned to account in his Lives of the Most Eminent
British Painters. Sculptors,
and Architects, which he
published from 1829-33. His last important work was
an edition of Burns, which appeared in 1834. Late in
life he made the acquaintance of Caryle, who had a
warm regard for him. Cunningham died in 1842. leaving five sons and a daughter.
Joseph Davey Cunningham, the eldest son and the